Clarissa Sebag-Montefiore
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2020

  • How to write emails in a pandemic – 7 June 

2017

  • A question fit for a car park: who can call Australia home? – 16 January
  • Artist turns blood ‘obsession’ into stigma-busting show – 30 January
  • Art and disability: The performers demanding to be judged – 26 Feb
  • Urban Burqa: An artist’s striking critique of Islamophobia – 11 April

2016

  • Dancing with horses – 10 March
  • Sydney Biennale: Bird bureaucracy strips sculpture– 24 March
  • Australia’s dark heart inspires horror movie boom – 25 March
  • ‘Better now than I ever was’ Ken Done’s life in art – 21 July
  • Infamous Australian race riots mined for dark laughter – 3 August
  • The film shot at the end of the world – 7 September
  • South Korea’s K-Pop stars look for success in Australia – 17 September
  • Sydney Opera House: How to fix an Australian icon – 23 September
  • Ending the ‘sausage party of Australia’s film industry – 9 December

2015

  • Australian’s Aboriginal comedians fight prejudice with wit – 18 January
  • Nothing To Lose: Can fat be beautiful? – 19 January
  • Australian musicians lead the charge at Grammy Awards – 4 February
  • Australia’s affection for Eurovision pays off – 12 February
  • The rise of Australia’s visual effects industry – 21 February
  • The kitchen appliance dividing Australia – 27 February
  • Trent Parke: The photographer who made Australia his canvas – 8 March
  • Artists bring personal touch to Gallipoli exhibition – 15 April
  • Eurovision: Australia takes part for the first time – 13 May
  • Sydney’s Vivid festival attracts Chinese dollars – 26 May
  • Boycott of Q&A TV show sparks heated free-speech debate – 17 July
  • The reinvention of an Australian circus – 30 July
  • Emerging Australian artist Christian Thompson forges new path – 21 August
  • Foraging is the new black in Australian cuisine – 25 September
  • Smellovision: The movie you can smell – 13 October 
  • From Red Guards to Bond villains: Why the Mao suit endures – 2 November
  • Soong Qingling: ‘The mother of modern China’ – 23 December

2014

  • Future Cinema: Where the audience is the star – 7 January 
  • Is ‘Chinawood’ the new Hollywood? – 10 February 
  • Will North Korean films ever be more than propaganda? – 25 February
  • A shark cull divides a nation – 9 April
  • Pollution in China: precious art from toxic waste – 17 July 
  • Why piano mania grips China’s children – 21 October

2013

  • Micro movies beat China’s censors 12 August
  • How Chinese art explores its one-child policy 2 October
  • Mass Games: The greatest show in North Korea? 9 October
  • Show-stopping private museums in China 25 November
  • Graffiti tests the limits of free expression in China 6 December 
  • How China portrays its minorities through propaganda 16 December 

2009

  • Me and my blog – 8 June